Stay! Or don't...

For fresh fruit, go to mattipaasio.com
Näytetään tekstit, joissa on tunniste Magyar Prilepin. Näytä kaikki tekstit
Näytetään tekstit, joissa on tunniste Magyar Prilepin. Näytä kaikki tekstit

8.7.2014

Magyar, Interrupted


I was looking for a sensible summary of the many worlds theory, and what did I find? A cat, who does not exist. Or maybe she does. Maybe she is dead and alive at the same time...

My cat is mine. Her name is Miina, which means a mine in Finnish. You know, like a Claymore. I do not own her. Her personality, her life is hers and hers alone... and certainly not Mr Schrödinger's. I refuse to accept the outcome of that dude's thought experiment, or the paradox illuminated by it, from which (the refusal, not the experiment) follows that nothing can ever happen. The world is fixed, as it is, and will never change. Nothing will happen, period.

There, I said it. We are standing beside a road, under a tree, waiting, and shall live happily ever after. Agreed?

Let's move on to happier thoughts.

But it is the thinking that is the tricky part.

If up to a point the cat inside the box is both alive and dead, there has to be a trigger, a little something that eliminates the other outcome... for instance, the possibility that the cat will survive the experiment. A trigger that fires the bullet that drops one of the two possible outcomes.

And that trigger just might be a thought. A teeny weeny innocent little slip of the tongue, I mean, mind.

I don't think opening the box qualifies as the trigger. No, something has to happen (or not happen) before someone opens the box.

This line of thinking can drive you nuts. Especially, if you happen to be me, and try not to think about my cat. Who, again, isn't mine, but hers and hers alone...

Is it possible for something to own itself?

To own something, you have to be something other than the thing that you're supposed to own; outside of it, so to speak.

All right. Make no mistake: NOBODY owns my (pardon the expression) cat. Not even her.

Are we clear on this? Good, excellent. Can we now just move the fuck on?

He's scared. He's really, really scared now.

Who's scared? Who said that?

Who am I?

This is the kind of shit that too much reflection and introspection and contraception may lead to. The kind of shit that drove my cousin to off himself. Although I can't be positive about that.

No one can. No one is able to tell you the infinite imaginable reasons behind someone's decision to die. There are so many candidates for a reason, countless alternatives, and they only multiply the second you try to grasp them.

You can start with just one thought. The fear of doing something irredeemable. Like turning a live cat into a dead cat. Some say that both cats exist at the same time, but I don't buy that crap.

It is precisely the kind of scifi pudding that, if you eat too much of it, will lead you into believing "the theory of many worlds"... that all the opportunities you lost, the chances you missed, they are still there, preserved in a freezer next to Walt Disney's corpse (if it ain't his, then whose is it?), and all you have to do is go back in time, in your mind, and the life you didn't live will actually come to pass.

And that's the idea, the reason why I interrupted Magyar in the first place.

Now, if you'll excuse me, we have some Germans to beat up. Figuratively speaking, of course.

I'm laying my trust at the feet of Fred's. The feet aren't his, but cut me some slack, will ya? Fred is my alter ego. No, I am Fred. Fred is me. In the best of all possible worlds.

We shan't overcome, and you can count on that, baby.





Mr Schrödinger didn't take into account one thing. The cat itself, who's a ferocius little beast, and will storm out of the box the second she damn well pleases, if I don't get to her first. And that, ladies and gentlemen, is life.

That is action.



Read the next dispatch,
"GRU and the Theory of Many worlds,"
here.

7.7.2014

Magyar


[VERSIO SUOMEKSI ALLA.]

We were talking to each other, P and I, at the time. So there were no hard feelings between Magyar and me either.

Magyar made an impression, alright, when you first met him. He had a shaved head, well-trimmed beard and mustache and, without exception, dark clothes. Later on, as I saw the photo of Anton LaVey, the prophet and founder of the Church of Satan, I couldn't help but cry, "Magyar!" That wasn't quite accurate, after all. It wasn't until I was reading the thorough portrait of Gabriele d'Annunzio, a "poet, lover and preacher of war," written by Lucy Hughes-Hallett, that I realized I had at last encountered an earlier incarnation of Magyar's, in flesh and spirit.


I was still dreaming of becoming an author. I saw Magyar as a unique opportunity to gain a footing in the publishing world, with him working there an all. Or wasn't he? What sort of books was his shop specializing in? Was it a bad idea for me to come up with a manuscript and send it to them to read?


"At the moment," Magyar said, reflecting every word, "presently. We don't publish books."

Really? What, then? What did they publish, if not books? Just give me a hint, and I can skip instruments just like that, try something new...

"Cans," he said, and rose from the easy chair.

He went into the kitchen and opened the fridge. He took a beer, single beer, and opened it. I knew that sound. He stayed in the kitchen drinking his beer. It was time for me to go.


... 


We made a trip to Paris that summer, the three of us. P wasn't 100% sure of their affair yet, and my coming along lowered the stakes some, I guess, made the journey little less a personal affair. I served as an insurance against disaster. Or maybe they just needed a chaperon, someone who'd keep them off of each other for a moment, force them out on the streets, to see the city. Otherwise they would have spent three days and nights in bed.

Magyar enjoyed his role as a tour guide. P and I played a part we were most comfortable with, one we fell back upon every time we met. We granted the foreign fools glimpses into the most exotic traits in our beloved national character.

On a street corner in Montmartre, Magyar was giving a lecture on a street artist who had rocketed to the top of the art world from these very sidewalks. I looked at P: had she heard of the artist? P shook her head. Neither had I.

Magyar beckoned us to look at something on the wall. It was a painted picture of a lady with a long, black hair and cherry red lips. She was looking at you over her shoulder. The painter must have aimed at an image of a seductress. It looked like a tattoo on somebody's upper arm. I told Magyar this. He just ignored me. Magyar wouldn't let anything interrupt his presentation.

But the universe does not work that way. Especially the universe where an alternative, parallel reality is always at hand, if you're not satisfied with the present one. So "Magyar, interrupted" will be the name of the next post, and it is going to be all about choices



The story begins here.
And continues here.


Olimme noihin aikoihin puheväleissä P:n kanssa. Meillä ei siis ollut Magyarin kanssa kitkaa välillämme.

Magyar oli omalla tavallaan vaikuttava ilmestys. Hänellä oli kalju päälaki, hyvin hoidetut viikset ja parta sekä poikkeuksetta tummanpuhuvat vaatteet. Kun myöhemmin näin saatananpalvojien profeetan Anton LaVeyn kuvan, en voinut kuin älähtää: "Magyar!" Se laukaus tosin meni vähän ohi. Sitten luin Lucy Hughes-Hallettin perinpohjaista muotokuvaa Gabriele d'Annunziosta, "runoilijasta, rakastajasta ja sodanlietsojasta", ja tajusin viimein löytäneeni Magyarin aiemman inkarnaation, hengessä ja lihassa.

Haaveilin yhä kirjoittelijan urasta. Näin Magyarissa ainutlaatuisen tilaisuuden luoda suhteita kustannusmaailmaan. Olihan hän käsittääkseni alalla töissä. Vai eikö ollut? Millaisiin julkaisuihin hänen firmansa keskittyi? Olisiko minun järkeä kasata kässäri ja lähettää se heille luettavaksi?

"Tällä hetkellä", Magyar sanoi ja harkitsi jokaista sanaa, "juuri nyt me ei julkaista lainkaan kirjoja."

Niinkö? Mitä sitten? Mitä he sitten julkaisivat, jos ei kirjoja? Anna vain vihje, niin voin käden käänteessä vaihtaa alaa, kokeilla jotain uutta...


"Peltipurkkeja", Magyar sanoi ja nousi nojatuolistaan.

Hän käveli keittiöön, avasi jääkaapin oven ja äänestä päätellen otti kaljan. Kyllä - kuulin kun hän avasi sen. Yhden kaljan. Hän jäi keittiöön juomaan sitä. Minun oli aika lähteä.


*

Sinä kesänä lähdimme kolmestaan Pariisiin. P ei ollut takuuvarma suhteestaan Magyariin, ja mukana oloni teki matkasta vähemmän riskialttiin, vähemmän henkilökohtaisen, luulisin. Toimin vakuutuksena katastrofia vastaan. Tai ehkä tarkoitukseni oli palvella esiliinana, pitää heidät hetki pois toistensa kimpusta, pakottaa ylös ja ulos, katsomaan kaupunkia. Muuten he olisivat viettäneet kolme vuorokautta vuoteessa.

Magyar keskittyi oppaan osaan. P ja minä löysimme tutun sävelen, kun esitimme ulkomaan eläville kansanluonteemme eksoottisimpia piirteitä. Osa sujui meiltä luonnostaan. Palasimme siihen aina, kun olimme yhdessä.

Montmartrella Magyar luennoi meille paikallisesta katutaiteilijasta, joka oli ponnistanut maailmanmaineeseen näiltä samoilta jalkakäytäviltä. Katsoin P:aa kysyvästi: oliko hän kuullut taiteilijasta? P pudisti päätään. En ollut minäkään.

Magyar viittilöi katsomaan jotain seinässä. Se oli maalaus naisesta, jolla oli pitkä musta tukka ja kirsikanpunaiset huulet. Hän tähyili katsojaa olkansa yli. Maalari oli kai ajatellut tehdä viettelijättären muotokuvan lätkäistessään värinsä seinään. Se näytti tatuoinnilta jonkun olkavarressa. Kerroin tämän Magyarille. Hän ei välittänyt puheistani. Mikään mahti maailmassa ei olisi saanut Magyaria sulkemaan suutaan.

Mutta maailma ei mene niin, varsinkaan maailma, jossa vaihtoehtoinen, rinnakkainen todellisuus on aina kätevästi saatavilla, kun nykyinen ei miellytä. Joten "Katkennut Magyar" olkoon seuraavan kirjoituksen otsikko, ja siinä käsittelemme yksinomaan valintoja.



Lue tarinan alku täältä.